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And it was the one thing I really wanted to see: would he be able to subsume his ego, would he know how to write in support of the scene, in support of the characters, and not be a rockstar writing rock songs? And he immediately did that.” “The piece of music he wrote was really, really awful! Ha ha ha! And I razzed him about it,” Richard laughs.
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He let Jonathan have a stab at scoring a scene for a TV movie. Jonathan had expressed an interest in film composition and Richard, previously the keyboard player for offbeat musical troupe Oingo Boingo, wanted to see what the Freak On A Leash singer could do.
That worked well, and it gave films a sort of immediate edge and energy they hadn’t earned on their own.”Įnter: Jonathan Davis and Richard Gibbs, who’d already formed a partnership via Korn’s publisher, Zomba. “ Batman’s a pretty straightforward commercial movie, and they had very edgy needle drops on there. “My pitch to them was, ‘Look at the soundtrack Warner Brothers have done for Batman ,’” he says, which included The Smashing Pumpkins and Underworld. In early conversations Michael had with the studio, someone proposed that Queen Of The Damned’s music should be ‘romantic’, in the vein of Echo And The Bunnymen – but Michael was worried it would come across as cheesy. Jason (2003) featured artists such as Rob Zombie, Rammstein, Slipknot, Lamb Of God and In Flames. It came at a time when Hollywood was flirting with heavy music: the likes of The Matrix (1999), action-horror film Resident Evil (also released in 2002), and slasher Freddy Vs. Upon its release, Neil Corry from Film Review magazine described Queen Of The Damned as: “A pile of nonsense, but great-looking nonsense at that with a phenomenally loud soundtrack.” Dolittle, Big Momma’s House), alongside a handful of existing nu metal dancefloor classics, it was moody, evocative and captured the zeitgeist. Despite the OTT gothic sets and costumes, on release in 2002 the film was largely derided by critics – but nearly everyone recognised the brilliance of its soundtrack.įeaturing original metal songs and an accompanying orchestral score by Korn frontman Jonathan Davis and film composer Richard Gibbs ( Dr. His music wakes Akasha, the queen of the vampires, who wants to make Lestat her king.
The premise for Queen Of The Damned was simple: the vampire Lestat awakens and reinvents himself as a rockstar.
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